A spooky cemetery at night, with bats, a full moon, and a lit-up Lidl logo on a sign.
Hervé Brand's "Feeling Alive" commercial: A young, tattooed woman stands with her arms crossed, looking up against a backdrop of modernist, skyscraper-like architecture.
"A Lifetime" commercial for the Neues Heim Housing Cooperative: A young man in period clothing, wearing a flat cap, gazes thoughtfully out the window of a moving train car.
"Müllsical" campaign for AVL: Five trash cans, each with its own distinct character and in different colors, stand like actors on an illuminated theater stage against an orange backdrop.
Ad campaign for the fake fashion label J.D. Mesh: An extreme close-up of a woman wearing futuristic cyber makeup and black lines on her face, illuminated by purple neon light.
"Communication Compass" campaign for the State Criminal Police Office (LKA): A police officer stares intently at a glowing yellow vortex of energy floating in the room in front of him.
"Fake Cop" prevention campaign for the Baden-Württemberg Police: An elderly man is sleeping peacefully on a green sofa in his cozy living room.
"Temple of Eternity" commercial for Bernina: A cinematic shot of a dusty studio backlit by the sun, in which a woman sits on the floor among dress forms and scraps of fabric.
Ad 'Not Without Us 14%': A man in a beige suit with a striking, patterned tie sits in a diner, intently studying a red menu.
Promotional video 'Guardians Of Color' for United Colors of Benetton: An elderly woman wearing a dark green, period-style gown with gold embroidery sits in front of a classical painting, gazing thoughtfully to the side.
Social media spot "Mother Nature's Power" for Extinction Rebellion: An Indigenous woman sits with her eyes closed in a meditative pose in a dark hut dimly lit by candlelight.
"LAG Kiss" commercial: A dramatic close-up of a person in a dark, subdued lighting setting, passionately licking cream or a white spread off their finger.
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